Pear sketches for Napa Valley Open Studios

Pear sketch  •  © 2011 Karen Lynn Ingalls

Since I seem to be in a little–original mode with the block prints, I thought I'd get out some of my little sketches for Open Studios, too.

Pear sketch  •  © 2011 Karen Lynn Ingalls

I love to draw pears, apples, and peppers – and to use them for painting demonstrations for my classes, too. I think it's because they're so figurative... they take me right back to my figure drawing roots. If you want to learn how to draw people, start with a pear.

Pear sketch  •  © 2011 Karen Lynn Ingalls

You don't believe me? Look at these little sweeties – they have hips, they have attitude, they have saucy little stems....

Pear sketch  •  © 2011 Karen Lynn Ingalls

These pears came from my friend Heidi's tree. They were little, and sweet. And they had such personality!

Songbird block prints for Napa Valley Open Studios

Songbird block print  •  © 2011 Karen Lynn Ingalls

Since I'm bringing out my dragonfly block prints for Open Studios, I thought I'd bring a few of my songbird prints, too.

Songbird block print  •  © 2011 Karen Lynn Ingalls

These were my first experiments with printing on special patterned papers. Some of these have two or three printings, and I was mixing the ink colors as I printed, so the ink colors were constantly changing.

Songbird block print  •  © 2011 Karen Lynn Ingalls

These papers were slightly textured, a texture that was enhanced by the block printing process – not something you would find when you use mulberry or other more traditional block printing papers. Like the dragonfly block prints, they are 4.5" x 6.5" in size. These are three of seven I'll bring out to share.

Dragonfly block prints for Napa Valley Open Studios

Dragonfly block print  •  ©2011 Karen Lynn Ingalls

Last year I experimented with printing soft blocks on special papers, mixing different colors of inks as I went along. Most of these actually have three layers of color, with two printings, and the third layer of color between the printings an iridescent or metallic color.

Dragonfly block print  •  ©2011 Karen Lynn Ingalls

I thought I'd bring them out for Napa Valley Open Studios. There's quite a variety in the papers, in color and pattern, and each one is completely different from the others, even though I was using the same block.

Dragonfly block print  •  ©2011 Karen Lynn Ingalls

I printed these in one of the printmaking sessions a group of us plan every few months or so, depending on our schedules. The others originally took the Soft Block Printing workshop a few years ago; then we did a two-day workshop last year, with multiple color printing. Since then, we gather for wonderful all-day printing sessions, setting up inking stations, comparing prints, and chatting around another table as we carve our blocks.

Dragonfly block print  •  ©2011 Karen Lynn Ingalls

I'll have twenty-two different dragonfly prints at Open Studios – these are four of them.

From the Soft Block Printing workshop...

Sean Scully from the Weekly Calistogan came by just as Franci was about to ink and pull a print, during last week's Soft Block Printing workshop, and he included this photo in this week's paper.

Franci Claudon is a glass artist who is also a part of Napa Valley Open Studios, and she's now experimenting with how she might incorporate block printing into her glass art. This is new – she doesn't know of any other glass artists who use block printing in their work. I'm looking forward to seeing how this turns out!

And thank you to Sean for the press!

2011 Soft Block Printing workshop

Dragonfly soft block print • © 2003 Karen Lynn Ingalls

This summer has been a whirl of workshops! Now I'm preparing for this Saturday's workshop on Soft Block Printing - a medium I love. I get so focused on painting that scheduling workshops on it gives me the excuses I need to just carve blocks and print for a while....

If you've never done it, block printing is kind of a next step up from stamping. Any purist would be horrified by that description, mind. Block printing has a long and storied tradition, both in the West and the East, beginning with woodcuts, and moving to linoleum blocks, or linocuts, about a hundred years ago. You can also use it to print on textiles – which is actually how it originated in China, and how it is still used in India.

Iridescence, an acrylic painting created using the same dragonfly soft block • © 2010 Karen Lynn Ingalls

But soft blocks are a much more recent invention. They were actually developed when some enthusiastic rubber stampers began carving their own stamps on erasers. In fact, the blocks I generally use are pink, and are basically made of eraser material. I've used them to print cards and art prints, and I have, over the last eight years, periodically worked on a series of paintings combining acrylic paint and soft block printing (such as the painting above). I really want to combine it with relief printing and stencils, too – something I've just begun to experiment with. They work beautifully when you're mixing your media.

Angel of Peace soft block print, printed as a Christmas card • © 2003 Karen Lynn Ingalls

Soft block printing is similar to, but much easier to work with, than either linocuts or woodcuts, because of the softness of the block and its ease in cutting. In the workshop this Saturday, we'll also be using non-toxic, water-soluble inks. We'll also use safety cutters, which actually allow more flexibility of expression than traditional cutters. I'll teach students how to design and cut the block for printing, and how to ink and print greeting cards and fine art prints.

If you're interested in coming, bring along some images you might like to make prints of – drawings? photographs? We'll be carving 4" x 6" blocks.

Songbird soft block prints, with multiple colors • © 2003 Karen Lynn Ingalls

The workshop runs from 10:00 a.m. to 5 p.m. on Saturday, August 27th, at the Calistoga Art Center, 1435 North Oak Street in Calistoga (at the Napa County Fairgrounds). Bring your lunch! You can register online at the Calistoga Art Center's website, at www.calistogaartcenter.org.

You can also see photographs of the process from 2010's two-day printmaking workshop in my August 2010 blog post. It's a wonderful process, and a rewarding medium to work with. (If you learn the process, you'll be welcome to join a group of block printers for future occasional all-day, non-instructional printmaking sessions.) I hope you can join us!

Preparing for Napa Valley Open Studios 2011

The Napa Valley Open Studios 2011 catalog cover, featuring the glasswork of Ed Breed • © 2011 Karen Lynn Ingalls

The summer is flying by, and now I'm in countdown mode for Napa Valley Open Studios, only a little more than four weeks away. There is so much still to do!

This year, I'll be in St. Helena, at Ed Breed's studio on 1734 Scott Street (Studio #9). Ed, a wonderful glassblower and all-around great guy (he is this year's featured catalog cover artist, and was also the volunteer director of Open Studios in 2007) will be doing glass demonstrations each weekend, and I'll be right next to the studio with my paintings.

Hillside Vineyard (Tilted Heart) is my catalog image for Open Studios this year • © 2011 Karen Lynn Ingalls

One of those paintings, my catalog image (above), was also chosen for the online slide show at the Napa Valley Open Studios 2011 website. You can download a catalog from the website, if you like, or find out there where you can get your own catalog. You can also find us on Facebook at www.facebook.com/NapaValleyOpenStudios - I'm one of the folks working behind the scenes to bring you all the newsy posts. In fact, you can find a wonderful photo essay of Ed's glassblowing process, showing how he creates his wonderful, delicately tendriled glass pumpkins.

I hope you'll come visit me at Ed's studio! Open Studios runs from 11 a.m. to 5 p.m. on the last two weekends of September, September 17–18 and 24–25.

The garden at French Laundry

Easels in the garden at French Laundry

Last week I had the privilege of teaching an afternoon art workshop in the garden of Thomas Keller's French Laundry restaurant in Yountville, California. I'd never been to the garden before – I didn't know it was open to the public.

A view of the garden, looking to the west

It was a beautiful day. The garden sits across the road from the restaurant, with a lovely view toward the western hills.

Empty easels, after the workshop

As the sun leaned further to the west, and the light grew more golden, there seemed to be a bit of magic about this spot of earth. My students had been painting using the shapes and colors of the garden as inspiration, and I wished I had time to sit down and paint something myself.

Artichokes gone to seed, and a view of the greenhouse

I contented myself with taking photographs to paint from later. So it looks as though I'll be doing some garden paintings....

French Laundry in the background

As I was cleaning brushes and packing up after the workshop, cars began to arrive for the dinner hour... a new orange Eclipse convertible, a new white Eclipse convertible, a black limo, a second black limo, another new white convertible. Hmmm. Guess which car belongs to someone who isn't staying for dinner? And who hasn't waited a year for a reservation? Hint: it has easels loaded up in the back....

And, yes, that's a limo driver in the gray suit, under the tree....

"My Calistoga" - continued progress

My Calistoga • © 2011 Karen Lynn Ingalls

Here's My Calistoga in its "final" state (to date). As you could see in the previous post, I had a long way to go with My Calistoga after my demonstration times at the fair ended. Here's the process....

My Calistoga in process • © 2011 Karen Lynn Ingalls

Here, I added a scumbled white frame around the sides of the canvas, between the collaged photographs. I've also developed some parts of the central composition a little further.

My Calistoga in process • © 2011 Karen Lynn Ingalls

You may notice variances of light and warmth in the photographs – not to mention varying bits of easels and background around the edges. The photographs were all taken in changing light, at different times of the day, and in different parts of the art center as I worked on the painting. Here I've continued to develop the central composition, especially the palm trees, the area around them, and their reflections. I've worked a little on the "Calistoga" sign at the top, too.

My Calistoga in process • © 2011 Karen Lynn Ingalls

At this stage, I've begun the process of tinting the collaged photographs. I want them to have a kind of old-timey, tinted photograph look (though they've actually been taken over the course of the last few years). I've developed the reflecting pool area a bit more, too.

My Calistoga in process • © 2011 Karen Lynn Ingalls

The most obvious change is scumbling over the scumbled white, which covered an underpainting of reds. This time I've done it with a mid-value brown, mixed from every color in my palette.

Palm tree detail • © 2011 Karen Lynn Ingalls

I continued to add details to the palm trees, although they're subtle. Throughout the painting, I've used scumbling to give a sense of energy and vibrancy, and a kind of mistiness to the geyser. I love letting colors show from underneath.

Palm trees detail • © 2011 Karen Lynn Ingalls

Although there's some detail to the palm fronds, and the negative spaces between them, I haven't developed them overly much. In this painting, they're not as important as the geyser. The studies I did of fan palms in Palm Springs came in handily as I worked on these....

Collaged photograph details • © 2011 Karen Lynn Ingalls

I continued to work on the little collaged photographs, too. Here are a few of them.... Left to right, downtown facing the Palisades; a sunflower from the Farmer's Market (a prizewinning photo for me); and Tom Atkins' tractor, which pulled last year's Art Center float in the Fourth of July parade.

Collaged photograph details • © 2011 Karen Lynn Ingalls

Here, Eden's bicycle, which she kindly let me photograph at a concert in Calistoga's Pioneer Park a couple of weeks ago....

Collaged photograph details • © 2011 Karen Lynn Ingalls

A wonderful old olive tree across Tubbs Lane and over a bit from Chateau Montelena....

Collaged photograph details • © 2011 Karen Lynn Ingalls

Top to bottom, riders (on beautiful Palominos) in the Calistoga Cinco de Mayo parade a few years ago; the Faunce's barn on Foothill Boulevard; and Calistoga City Hall.

Collaged photograph details • © 2011 Karen Lynn Ingalls

Top to bottom – mustard between the rows of vines; the Calistoga Mineral Water truck sculpture; and Mt. St. Helena rising above mustard and vines (the view next to Faunce's barn).

I'm teaching these collage painting techniques this Saturday at the Calistoga Art Center, too. I'm looking forward to it! You can click here for the workshop information:

http://www.napavalleyartworkshops.com/painting-collages1.html

I intended the painting to be kind of iconic of Calistoga (represented by the geyser), surrounded with the small images of so many things and places I love around town. Some stand in symbolically for other places, because I just couldn't fit everything in. I still have a little bit yet to do on the painting, but it's mostly finished.