"My Calistoga" - continued progress

My Calistoga • © 2011 Karen Lynn Ingalls

Here's My Calistoga in its "final" state (to date). As you could see in the previous post, I had a long way to go with My Calistoga after my demonstration times at the fair ended. Here's the process....

My Calistoga in process • © 2011 Karen Lynn Ingalls

Here, I added a scumbled white frame around the sides of the canvas, between the collaged photographs. I've also developed some parts of the central composition a little further.

My Calistoga in process • © 2011 Karen Lynn Ingalls

You may notice variances of light and warmth in the photographs – not to mention varying bits of easels and background around the edges. The photographs were all taken in changing light, at different times of the day, and in different parts of the art center as I worked on the painting. Here I've continued to develop the central composition, especially the palm trees, the area around them, and their reflections. I've worked a little on the "Calistoga" sign at the top, too.

My Calistoga in process • © 2011 Karen Lynn Ingalls

At this stage, I've begun the process of tinting the collaged photographs. I want them to have a kind of old-timey, tinted photograph look (though they've actually been taken over the course of the last few years). I've developed the reflecting pool area a bit more, too.

My Calistoga in process • © 2011 Karen Lynn Ingalls

The most obvious change is scumbling over the scumbled white, which covered an underpainting of reds. This time I've done it with a mid-value brown, mixed from every color in my palette.

Palm tree detail • © 2011 Karen Lynn Ingalls

I continued to add details to the palm trees, although they're subtle. Throughout the painting, I've used scumbling to give a sense of energy and vibrancy, and a kind of mistiness to the geyser. I love letting colors show from underneath.

Palm trees detail • © 2011 Karen Lynn Ingalls

Although there's some detail to the palm fronds, and the negative spaces between them, I haven't developed them overly much. In this painting, they're not as important as the geyser. The studies I did of fan palms in Palm Springs came in handily as I worked on these....

Collaged photograph details • © 2011 Karen Lynn Ingalls

I continued to work on the little collaged photographs, too. Here are a few of them.... Left to right, downtown facing the Palisades; a sunflower from the Farmer's Market (a prizewinning photo for me); and Tom Atkins' tractor, which pulled last year's Art Center float in the Fourth of July parade.

Collaged photograph details • © 2011 Karen Lynn Ingalls

Here, Eden's bicycle, which she kindly let me photograph at a concert in Calistoga's Pioneer Park a couple of weeks ago....

Collaged photograph details • © 2011 Karen Lynn Ingalls

A wonderful old olive tree across Tubbs Lane and over a bit from Chateau Montelena....

Collaged photograph details • © 2011 Karen Lynn Ingalls

Top to bottom, riders (on beautiful Palominos) in the Calistoga Cinco de Mayo parade a few years ago; the Faunce's barn on Foothill Boulevard; and Calistoga City Hall.

Collaged photograph details • © 2011 Karen Lynn Ingalls

Top to bottom – mustard between the rows of vines; the Calistoga Mineral Water truck sculpture; and Mt. St. Helena rising above mustard and vines (the view next to Faunce's barn).

I'm teaching these collage painting techniques this Saturday at the Calistoga Art Center, too. I'm looking forward to it! You can click here for the workshop information:

http://www.napavalleyartworkshops.com/painting-collages1.html

I intended the painting to be kind of iconic of Calistoga (represented by the geyser), surrounded with the small images of so many things and places I love around town. Some stand in symbolically for other places, because I just couldn't fit everything in. I still have a little bit yet to do on the painting, but it's mostly finished.