Combing through my photographs

Franz Valley School Road vineyard • © 2010 Karen Lynn Ingalls

The next stage of my painting process is looking at all those photographs I took when autumn colors were at their loveliest. As I have nearly 650 photographs to go through, it's a pretty extensive part of the process.

Not only do I look through all the images and choose the ones I like best, but I also crop photos to find new compositions, and adjust the lighting to approximate more nearly my memory (and imagination). I resize and save them, labeling them so that I can identify where I took the photo. The photo above, by the way, was taken on the way to my studio.

Thank heavens for digital photography! It allows me to take plenty of photos, giving me lots of images to work with in the paintings I'll be working on throughout the year.

More photos from the road - II

Napa Valley trees and vineyards, Silverado Trail • © 2010 Karen Lynn Ingalls

More photos from the road, taken from along the Silverado Trail.... We had a little respite from the rain, between storms.

Napa Valley trees and vineyards, Three Palms Vineyard, Silverado Trail • © 2010 Karen Lynn Ingalls

Frost has kissed some of the vineyards, browning the colors in them a little, and the wind is blowing leaves off the vines. It's curious how one vineyard can be full of leaves in strong color, while another across the road or next door can be nearing leaflessness....

Napa Valley trees and vineyards, Three Palms Vineyard, Silverado Trail • © 2010 Karen Lynn Ingalls

Three Palms Vineyard is one I keep photographing, nearly every year, though I haven't yet painted it. I love the shapes of the palm trees standing, iconic, in the middle of the vines. It helps that the road rises above the vineyard, giving me a good view of lots of color as I stand on the side of the road. There's a little too much traffic and not enough room there to use my stepladder for added height.

Napa Valley trees and vineyards, just off the Silverado Trail • © 2010 Karen Lynn Ingalls

I particularly love discovering little roads and byways I haven't yet explored. This was one of them, just off the trail. Often these little roads don't lead far, blocked by the Palisades, the steep hills rising to the east – or they become ranch roads, private property unless you know the right people and have connections.

Napa Valley trees and vineyards, Silverado Trail • © 2010 Karen Lynn Ingalls

I don't have connections on this road (yet), but it leads just far back enough to take me to some heavenly views. It was a beautiful afternoon.

More photos from the road

View of upper Napa Valley from Mt. St. Helena • © 2010 Karen Lynn Ingalls

As the rain pounds the roof, I think of the leaves falling to the ground, the cold weather and frost to come, and the inevitable curling and browning of the leaves that will follow it. I am glad I was able to get as many photographs this week as I was, while the weather was good.

View of upper Napa Valley from Mt. St. Helena • © 2010 Karen Lynn Ingalls

I love this time of year, with its glorious riot of colors. The vineyards are here what maple trees are to New England.

View of upper Napa Valley from Mt. St. Helena • © 2010 Karen Lynn Ingalls

It's important to me to take as many photographs as I can. Sorting through them, choosing, cropping, and printing them, all are jobs for rainy days, all preparatory for painting.

View of upper Napa Valley from Mt. St. Helena • © 2010 Karen Lynn Ingalls

I drove up Mt. St. Helena to get some faraway shots of the northern end of the valley, north of Calistoga. I've always thought it would be heavenly to take a balloon ride over the valley - aerial images of the vineyards and fields appeal to me, especially in the intense yellows and reds they wear in autumn. This isn't quite the same, but it's as close as I can manage with a Volvo and a highway....

On the side of Mt. St. Helena: the Volvo and the highway • © 2010 Karen Lynn Ingalls

Preparing for winter

Photographing, south of Calistoga • © 2010 Karen Lynn Ingalls

You might wonder why I haven't been posting many new paintings lately. The reason is that, this time of year, once Open Studios have passed, I and the squirrels are busy preparing for winter.

Grapes hanging on the vines, south of Calistoga • © 2010 Karen Lynn Ingalls

Like squirrels gathering nuts for the winter, I'm busy gathering images. This time of year is, for me, heaven on earth. Last year, our first frosts came in late October, and I'd missed the most beautiful colors. This year, with our weird combination of early rains and a cooler autumn (but no frost yet) is hard on growers and winemakers, but it is giving me beautiful images to photograph. I'm racing against time, though.

Photographing, south of Calistoga, looking towards Sterling Winery • © 2010 Karen Lynn Ingalls

The green grass is coming up, and the leaves really only began turning colors in earnest last week. Now they are proceeding apace – more yellow, more red, more glorious each day. But the rains have come, and they drive the leaves to the ground. I have to squeeze in as much time for photographing as I can, before the leaves have fallen. The days are short, I need to catch the light when it's just right, and I need to be in the right spot at the right time.

Photographing, west of Calistoga • © 2010 Karen Lynn Ingalls

Gathering the images is only the beginning. Then I sort through everything – hundreds of photos (thank heavens for digital cards!), and choose, label, and resort my favorites. Later will come cropping and adjusting the colors and values in each photograph, and printing out the versions I like best, all before I get back to my empty and waiting canvases.

California afternoon

California Afternoon (working title) • © 2010 Karen Lynn Ingalls

Here's a small painting I did a little while back... I love the early California kind of feeling the colors have. This spot is in Knights Valley, near Calistoga, at the northern end of the Napa Valley.

In spite of the half dozen or so paintings still partially completed – ones I was racing to work on before Open Studios – this painting and another small one I did at the same time keep calling to me. I'd like to see both of them on large canvases....

Scarecrows as art - III

Scarecrow by Michael Holmes, from the First Annual Calistoga Scarecrow Contest © photo 2010 Karen Lynn Ingalls

A little bit more from the First Annual Calistoga Scarecrow Contest.... (drumroll) the first place winner is... Michael Holmes, from Napa!

I wanted to share a few wonderful details of Michael Holmes's pumpkinhead scarecrow. Here's an overview – the scarecrow sits on a stump, with cornstalks around him.

Scarecrow by Michael Holmes, from the First Annual Calistoga Scarecrow Contest © photo 2010 Karen Lynn Ingalls

Despite a countenance whose friendliness looks questionable, this fellow shows his heart of gold as he shares popcorn with his crow friends. (Now, that's a nice way to spend your time in a cornfield... or anywhere.)

Scarecrow by Michael Holmes, from the First Annual Calistoga Scarecrow Contest © photo 2010 Karen Lynn Ingalls

There are so many exquisite little details, like the tendrils of the pumpkin stem, and the gestures of each of the crows.

Scarecrow by Michael Holmes, from the First Annual Calistoga Scarecrow Contest © photo 2010 Karen Lynn Ingalls

The crows are happily munching on popcorn. I wonder if the popcorn will bring in real crows, too - there are plenty in the neighborhood. Would they be intimidated by the ones they'd see here?

Crow by Michael Holmes, from the First Annual Calistoga Scarecrow Contest © photo 2010 Karen Lynn Ingalls

I love the simplicity and featheriness of the crow's newspaper wings. They flutter in a breeze.

Scarecrow by Michael Holmes, from the First Annual Calistoga Scarecrow Contest © photo 2010 Karen Lynn Ingalls

More crows enjoying their snacks. It's a nice harvest party....

Crow by Michael Holmes, from the First Annual Calistoga Scarecrow Contest © photo 2010 Karen Lynn Ingalls

This crow holds the scarecrow's number (for the competition). He's #13.

Pheasants by Michael Holmes, from the First Annual Calistoga Scarecrow Contest © photo 2010 Karen Lynn Ingalls

A couple of pheasants have joined the feast. They're made of feathers and natural materials.

Scarecrow by Michael Holmes, from the First Annual Calistoga Scarecrow Contest © photo 2010 Karen Lynn Ingalls

A last look at the tableau.... It really needs a name, don't you think? Scarecrow's Party? Friends' Feast? What name would you choose?

You can see more of Michael Holmes's design work (it's sumptuous and creative) at his website, www.michaelholmesdesigns.com.

Scarecrows as art - II

Scarecrow, from the First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

Here are yet more scarecrows from the Calistoga Scarecrow Contest at Indian Springs Resort and Spa, in Calistoga, California. This first, wine-loving fellow definitely isn't in Kansas anymore...

Scarecrow, from the First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

... and he is generous with his wine, too. No scaring crows away here!

Scarecrow by Gina Cerda, from the First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

Gina Cerda's metal wino scarecrow looks a whole lot more forbidding. A good reminder to keep all things in moderation!

Scarecrows, from the First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

Then there is this couple, with a tub of grapes ready to stomp (and she looks fresh from the spa – is that a mud mask she's wearing? With cucumbers over her eyes?), who are "blown away by the Napa Valley." These really do make me grin. I love seeing what people come up with!

Scarecrow by Beverly Wilson and Carl Ciliax, from the First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

Keeping to a local theme, especially for the foodies among us, Beverly Wilson and Carl Ciliax created this very creative chef, whose recipes ought to scare off any self-respecting crow.

Scarecrow by Beverly Wilson and Carl Ciliax, from the First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

Crow's Nest Soup, Crab Crow-quettes, Crow-Quilles St. Jacques, and Blackbird Pie are on the Specials Menu. What's the matter – doesn't that crow read?

Scarecrow by Sharie Renault and Linda Wilds-Beltz, from the First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

Here's a Day of the Dead Frida Kahlo scarecrow, complete with paintbrush and palette, created by Sharie Renault and Linda Wilds-Beltz. She looks even more colorful than her palette!

Scarecrow, from the First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

Frida is accompanied by Señor Death, with his scythe. In spite of the smile, I wouldn't want to meet him on a dark night....

Indy Crow, by Connor Hitt, from the First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

Here is Indy Crow (notice the Indiana Jones-ish hat and whip?), created by the contest's youngest scarecrow maker, Connor Hitt, who is in third grade. Indy has a skull on the other side, too.

Connor Hitt and Indy Crow, from the First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

Great photo of Connor with Indy Crow, isn't it?

Scarecrow, by Bailey, from the First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

Bailey's bone-and-Spanish-moss-bedecked scarecrow is another one I wouldn't want to meet on a dark night....

Scarecrows, from the First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

And, last but not least, this family of man-and-woman symbols.... Two fellows who work at Indian Springs put these up, grinning, while I was working on my scarecrow last Tuesday. When I told one of them how much I enjoyed it, he said, "Aww... it's just random." Nyaaah... you can read all kinds of things into it....

The scarecrows will be up into November. The best way to see them is to stroll around the grounds at Indian Springs – you'll miss a lot if you only stay in your car.

Scarecrows as art - I

Scarecrow by Michael Holmes, The First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

The First Annual Calistoga Scarecrow Contest brought out scarecrow makers from all over. Here are some of their scarecrows. This giant pumpkin-headed fellow, who so generously shares his bowl of popcorn with visiting crows, was created by Napa artist Michael Holmes.

Scarecrow by Yvonne Henry, The First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

What could be more disturbing than a crying baby? Now, that will surely scare the crows away. This crying baby was created by photographer and artist Yvonne Henry.

Scarecrow by Guy Pederson, The First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

This enormous crow was created by Guy Pederson. He's big enough to scare off all the little crows....

Scarecrow Straw Owl, The First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

Here's a sweet little straw owl.

Scarecrow fashionista, The First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

This fashionista wears a dress made of green tea packets.

Scarecrow, The First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

This friendly, colorful pumpkin-headed fellow looks like he's getting ready for Mardi Gras!

Scarecrow, The First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

I so appreciated the creativity with which many of the artists used natural materials in their scarecrows, such as this one.

Scarecrow pirate, The First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

Here's a pirate with his treasure chest (notice the parrot on his shoulder, too). I don't think I'd want to cross this guy....

Pique assiete scarecrow by Ann Shelby Valentine, The First Annual Calistoga Scarecrow Contest • photo © 2010 Karen Lynn Ingalls

Shelby Valentine, whose Napa River stele – created in pique assiette, a form of mosaic – is part of the Napa Artwalk, made this wonderfully whimsical pique assiette scarecrow.

I'll post more photos of more scarecrows soon. You can see the scarecrows for yourself at Indian Springs Resort and Spa in Calistoga into November.

A last look at Open Studios

Still life wall – graphite drawings with acrylics • © 2009 Karen Lynn Ingalls

A last look at Open Studios.... These are some more of the still life drawings and paintings I brought in.

Last year, Arts Council Napa Valley asked me to put up an exhibition at the Napa Senior Center. For it, I decided to bring in some of the still life pieces I'd been doing – the graphite drawings with acrylics above. I then added a series of small, simple still life drawings. The show, Simple Pleasures, was only supposed to be up for a couple of months, but it wound up being there for nearly a year. I'm glad they enjoyed the show so much!

A Cup of Tea (left), and Apple (right) • © 2009 Karen Lynn Ingalls

Sometimes it's good to get back to basics. I discovered how I have evolved as an artist by doing them, too. My approach to art has always been through my drawing. Although I painted, it wasn't until about thirteen years ago that I really began to think of myself as a painter, and not only as a drawer. It was then that color began to make sense to me in new ways.

An arrangement of pears, with Yvonne Henry's wonderful and punny A Jury of Your Pears on the left, and my pear drawing, Bosc Pear, and small paintings on the right

I began this series of small drawings by drawing as I often do, with lovely loose, gestural lines, which are most evident in the first one of a baby squash. I discovered that each drawing after it began to be more and more about shape and value, rather than about line, which you can see most clearly in A Cup of Tea, Apple, and Bosc Pear (above). I realize that, while I once painted like a drawer, now I draw like a painter. They are different ways of seeing. It feels like a wonderful way to grow, as both a drawer and a painter.

Napa Valley Open Studios 2010 - second weekend

Entrance to the Calistoga Art Center,

where Yvonne Henry and I welcomed visitors for Open Studios

For the second weekend of Open Studios, I brought in over twenty portrait studies, to add to the paintings and drawings I showed on the first weekend.

Some of my portrait studies

Here you can see some of them. I painted these in my costumed model painting and drawing group in Carmel, between 1997 and 2000. Each of these was done from a 1 1/2 hour long pose. I switched to drawing for my last months in the group before moving back up north, drawing large graphite line drawings on paper. I may share those in my Open Studio next year.

Pencil drawings – two Baby Squashes and a Baby Pumpkin

Last year, the Arts Council asked me to present an exhibition at the Napa Senior Center. The seniors enjoyed it – and it wound up being there for nearly a year! I collected it in time for Open Studios. I called the show "Simple Pleasures." It included six still life pencil drawings, of which these are three, and four larger graphite drawings with acrylics, used in a watercolor manner, which I also brought to Open Studios.

This was the first year that Calistoga artists were listed at the beginning of the catalog, rather than at the end – and we had about twice as many visitors as in previous years (which seems to have been true for other Calistoga artists I've talked to so far). It was a pleasure to get to meet everyone, and to share our work with them!