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Golden July was engaging and challenging for me to paint - in this spot, the grasses were turning to the colors of summer, but had not yet all become that bright straw color of early-to-mid summer. The field was a kaliedoscope of greens, yellows and oranges, and it took me layers and layers of glazes, scumblings, layerings, and repaintings to capture its essence.
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Conn Valley Road View began its life as a demonstration painting for the Napa Valley Art Association. That was the first time I'd done a demonstration in a setup with a large mirror behind me, so that viewers could watch my hands painting as I worked, while I faced them and talked. Painting and talking at the same time is a tough call - it works both sides of your brain simultaneously. Generally, painting, for me and many painters, means disengaging from logical, sequenced, left-brained thought and slipping into a non-verbal, non-logical creative zone. It's always fun to see what emerges on the canvas as my brain slips between the two modes, painting, talking, and answering questions. I very much enjoyed the day and the great questions participants had for me.
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